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These uniq ue wood carvings are one-of-a-kind works of art. I created each over a period of weeks with great attention to the level of detail. I tried to capture the personality of people through slight shifts in the eyes, smile, or facial expression. Sometimes, it just happens in the wood--don't know why.
A Learning Process
Along the way, I created a few tools, threw some away, wore many out, and changed my habits several times. I'll probably continue doing that. Early on, I thought small hand tools worked well, and I used a rotary tool mostly. Then I shifted to a reciprocating carver. It worked better with the wood, and it was much cleaner with less dust. After a while, I learned to use hand carving tools--slower but with better control of my artistic expression. Finally, I started creating my own tools as my original tools were too small, worn out, and sometimes ill suited for my style of carving. Besides, new tools are expensive. 
Now, I use power tools that range from the rotary carving tools to routers, grinders, and chain saws. With a piece of bandsaw blade, I create a few hand carving tools; sometimes they work better than a bought tool. When they don't work, I replace the blade with a new tool. By far the most requested information on the website is about a duplicator--a pantograph--that I created. It's simpler than commercial models and most plans. Simple works.
Styles of Carvings
I started carving with the intention of making some bookends--never got around to making any. As I tried my new rotary tool and my new reciprocating carver, I went in a different direction. I soon learned I needed some more tools--we always need more tools!
Relief Carvings
As I was learning to use my rotary tool, I tried to create a simple relief carving. While it wasn't very good, it wasn't very hard either. It had promise. Then I tried the reciprocating carver. It was pretty neat. I tried to make a cat's head, but it wound up as a holder for my rotary bits--it was awful. I learned that I had never really looked at a cat's head and I had no idea of any proportions--just nose, ears, eyes. Nothing fit. I started paying more attention and carved a few simple relief carvings. There's a few relief carvings of wolves, coyotes, water birds, and big horned sheep--my early carving targets.
Realistic Sculptures of People
I found it easier to work from photographs of people I had known. Somehow knowing the people let some of their personality work through my carving process. I also scoured magazines for "character" studies of people. The lines in their faces and their expressions gave me a will to extract that personality from the wood.
Please take a look at some of the real people I have known whose likeness I have carved--like Gurtis and Alida, a retired blacksmith and a gentle housewife.
Enjoy the imaginary Charlie, Muskrat Man; or see Quanah Parker, a great Comanche Chief whose likeness I imagined. My latest work is of a guitarist playing at a local concert.

Bowls
While prowling our timber on the farm, I found a few trees with exciting wood--wood in crotches and wood in burls. I soon acquired a mini-grinder with chainsaw teeth and a small electric chainsaw. Out of this has come a number of hand-carved bowls. (I tried using a lathe. I like the free-form shapes better.)
Mantles and Wall Hangings
While these are technically just relief carvings, they are larger and constrained for a particular style of hanging and lighting. In some of these, I learned to hide a deer behind tree leaves that are deeply undercut. A single carving may have several relief designs along with wood burning to accent details.
Leaves of Wood
Some of the most fun carvings have been of tree leaves where I incorporated fractal elements in faces contained in the leaves. Carved from a thin butternut plank, these leaves capture the hidden personalities of autumn leaves.
Abstracted Familiar Images
Inspired by a photograph of a wood cutter's hands, I made the fingers longer and more surreal. Perhaps they are the hands of a woman. Perhaps the slender fingers are those of a man--an artist forced into labor? They are not the hands of a burly, hard working, typical wood cutter.
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